Using a New Type of Music Composition, the Composer Crafts a Piano Drama in Three Acts What is Garrett Fisher’s dream world? With this...

On several occasions, people have glanced at my scores and commented along the lines of: "But there aren’t any notes. How can this be a...

From the Seattle Times:

I was thrilled to find this article online recently: How Japanese Noh Theatre Shapes Composer Garrett Fisher's Acclaimed Work Here and...

Over the past few months, my longtime collaborator Ken Cerniglia and I have been working on CULTIVATING FEEDBACK, a 1 day workshop for...

During this challenging time for all of us, I've been inspired by how many artists are finding creative outlets and ways to still make...

This is what I was planning on performing for the yearly #BachInTheSubways. Bach: Fugue in F# Minor (part of the 24 Prelude & Fugues)....

Courtesy of Maria Baranova

[photo by Maria Baranova] New York Times "Also confident, in a very different register, was Garrett Fisher’s score for 'Blood Moon,' at...